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Saturday 21st November 2020

A Picture of Health and Chantal Joffe

— Arnolfini
A Picture of Health: Women Photographers from the Hyman Collection and Chantal Joffe: For Esme – with Love and Squalor
time:12:00
price: Tickets Below

Information:

We are reopen with a greatly reduced capacity. Everyone is welcome but please book a slot to support us welcoming you safely back to the galleries at a specified time. There may be a short queue on arrival, as we scan visitors for entry.

A limited amount of walk-ups will be available on the day, but you may need to wait for entry.

Entry is free, but please consider supporting Arnolfini with a donation so our work can reach everyone in our community - you will be prompted for a donation, but please feel able to zero this via custom donation if you wish.

We ask all visitors to wear a face covering when visiting our galleries and bookshop.

A Picture of Health: Women Photographers from the Hyman Collection
A group exhibition of contemporary women photographers featuring autobiographical perspectives and social commentaries on the wider society, that aims to de-stigmatise subjects around mental health and create an environment in which people can have open conversations about their wellbeing. A Picture of Health includes work by Heather Agyepong, Sonia Boyce, Eliza Hatch, Susan Hiller, Rose Finn-Kelcey, Anna Fox, Rosy Martin, Polly Penrose, Jo Spence, and Paloma Tendero.

Chantal Joffe: For Esme – with Love and Squalor
For Esme – with Love and Squalor explores the intimate act of painting and portraiture. Taking its name from J.D. Salinger’s short story For Esmé – with Love and Squalor (1950) in which time hangs as heavy as the protagonist’s ‘enormous-faced chronographic-looking wristwatch’, the exhibition captures the changing faces across the years of Chantal and her daughter Esme, moving between mother and daughter, love and squalor, and the act of care and being cared for.

Including a number of new works (many produced whilst in ‘lockdown’), highlights include a series of portraits of Joffe’s daughter, from older works such as Esme (First Painting) captured as a new-born swaddled in blankets, to the later, defiantly awkward, Esme in White, painted within days of her sixteenth birthday this year.

These sit alongside a number of self-portraits, including the both intimate and monumental Bonnard inspired Reading in Bath I and III; never-before seen series Pictures of what I did not see, which depicts Joffe undergoing a traumatic illness and being cared for by Esme and a series of startlingly honest self-portraits. Produced one a day over the course of a year this 2018 series captures both the artist and her environment – from London’s cool winter light to the haze of a summer in the stifling New York heat.

The relationship between subject and place (specifically the domestic interior) and solitude and company within each of these works feels especially resonant. To paraphrase co-curator Dorothy Price, art historian and long-time collaborator of Joffe, Joffe’s work ‘traces a finger of time through the very act of being alive.’

Arnolfini Gallery CIO, registered charity number: 311504

Event photos for A Picture of Health and Chantal Joffe:

A Picture of Health and Chantal Joffe at Arnolfini
A Picture of Health and Chantal Joffe in Bristol 2020

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