To celebrate the darkness and depthless space of the Brunswick basement, collectiv-iz (re) present the rarely experienced Matches (Annabel Nicolson, 1975), as well as their own para-cinematic works: Light Time (Dickson, 2013); Media Blackout (Johns, 2017) and Lightning Strikes (Anastassiou, 2013).
Gill Eatherley will perform her celebrated expanded cinema shadow work, Aperture Sweep.
BEEF’s Rod Maclachlan hand cranks the dimmest slowest 35mm film; scratched and punched.
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