Serena Korda works with sound, objects (often costumes and ceramics) and performance. She reconsiders aspects of communion and tradition in our lives. Underpinning her practice is a desire to find and highlight ritual in the everyday, which is developed through encounters, conversations and the researching of abandoned histories.

She was recently Norma Lipman/BALTIC fellow in Ceramic Sculpture at Newcastle University and has shown widely including with the National Trust, The Baltic, Camden Arts Centre, Arnolfini, and the Grundy in Blackpool - where she staged an aquatic dance routine complete with Godzilla.

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