An evening of American primitive, Drone and soundscapes
Echoic Memory presents:
Cafe Kino, 08/08/18
Tickets £5 Adv £7 OTD
"Rob Noyes has been on the Eastern Massachusetts scene for a while, but what we've heard him play is music from within the context of electric bands, most of whom are loud as hell and exist somewhere along the rim of the post-core continuum. More recently, Rob has taken to displaying his solo acoustic guitar chops and they are massive. The Feudal Spirit is the first vinyl evidence of Head First their 'shoulders.' Like Western Mass's Tony Pasquarosa, who mines the same widely-variant style-pits, Rob's approach to acoustic playing resembles his electric work only through shared-belief-in-a-strong-downstroke. On the way to developing his own compositional/performance approach, Noyes sometimes seems to have absorbed an almost infinite reservoir of influences. Apart from some superb Basho-like 12-string tunneling, most momentary fragments tend to recall legendary Limeys like John Renbourn (and through him, Davey Graham), because Rob's overt melodic structures tend towards the non-bluesoid. But then you'll maybe hear a note-sequence spiced like something dropped from the hot strings of Michael Chapman or even a powerful throng that makes you think of Wizz Jones. When that happens, you realize there's more of a blues base to some of the songs than you'd been able to untangle. Mr. Noyes hits a vast array of sub-genres on this album, and he hits them all pretty damn hard. Rob's playing carries the weight of many possibly-imaginary forebears, but the way he smears them all together shows a holistic mastery of touch and imagination that defies a lot of today's players, who tend to shine in short bursts, then allow their dreams to outrun their technique. Rob Noyes has no such apparent limitations. Like Raymond Pettibon, whose artwork graces The Feudal Spirit's cover, Rob's able to create a true form-gobble, making some real beautiful noise in the process. Around the world, licensed Hodologists whisper, 'Make mine Noyes.' Why don't you join them?" --Byron Coley, October 23rd, 2016, South Deerfield, MA.
Jon Collin is a guitar player from Lancashire, UK, currently based in Sweden. On record he plays either improvised freeform abstract blues or through-composed minimalistic utilitarian drone music. His live shows are improvisations using a system of body, mind, breath, strings and electricity. His most recent LP releases are The Nature (Early Music; 2017) and the forthcoming Water and Rock Music Volume 1 (Feeding Tube; 2018).
“This spine-tingling album by Jon Collin is six-string primitivism taken to a whole other level of wildness and intuition.” – Derek Walmsley, The Wire
"Jon Collin is a wonderful player, incorporating the distentions of Loren Connors alongside the blues figures of Jack Rose and the lyrical melodicism of Robbie Basho. He can also throw in blurts that are pure Derek Bailey to throw the punters off, but that's his business." – Byron Coley, Feeding Tube Records
is improvisational duo of Bristol based Violinist, Agathe Max (KURO, Solo) and guitarist, John Scott (Stereocilia). Their individual styles of play have come together to create vast, sprawling, cinematic soundscapes and ethereal drones.
Winter Ghost will be releasing their debut EP on Bum Tapes in August 2018.