Gloucester Road Books presents a rare opportunity to hear from the acclaimed Greek poet, Phoebe Giannisi, who will be discussing and reading from her latest publication, Goatsong, in conversation with her translator, Brian Sneeden.

Goatsong brings together three of Giannisi's lauded collections for the first time to produce a volume of unmissable verse.

In the publisher's (Fitzcarraldo Editions) words:

'The ancient Greek word for tragedy (τραγωδία) is a compound of goat (τράγος) and song (ᾠδή). In Phoebe Giannisi’s Goatsong, the seam that connects human and animal, myths and history, is the body.

'In Giannisi’s language, life obeys myth. A man places a screaming cicada in his mouth, reminding us of a scene from Plato’s Phaedrus, where Socrates claims cicadas to have been humans who became entranced by the invention of singing, and didn’t stop to eat or drink. When the goddess Thetis dips her newborn son, Achilles, into the River Styx to protect all but his famous heel where her hand grips, we’re told ‘the place of the mother’s grip / is the mark of death.’

'Adjacent to the mythical setting is the material, where the rumination of goats, their digestive cycle – chewing, swallowing, then recalling food back into the mouth to be reconsidered – begins after weaning, and is lain alongside how we think: ‘from the moment of separation / from the mother / they ruminate.’ In these lyric enactments, all is transformative and transformed; territories of land, the body and history are blurred, and nothing is still.'

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‘It abounds with imaginative, unexpected phrasing, and is suitably full of light, reflections on memory, home and loss, all with a syntactical velocity.’

— Declan Ryan, Irish Times

‘I was immersed in Phoebe Giannisi’s Goatsong. I grieved with her as a mother, and rejoiced with her as a lover of all wild and wonderful places. Her work lives in me and inspires me to work harder to capture the truth – as the best poetry always does.’

— Sasha Dugdale, author of The Strongbox

‘Goatsong intoxicates with its animality of language, gorgeous lyric and off-kilter metamorphoses, by turns wry, ecstatic and strange. Reading Phoebe Giannisi is like reading pre-Socratic philosophy on all fours, where flies buzz on and off the page and the polyphony of species and elements is both dazzling subject and all-encompassing medium.’

— Daisy Lafarge, author of Paul

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Phoebe Giannisi is the author of eight collections of poetry. A 2016 Humanities Fellow of Columbia University, Giannisi is a professor of architecture at the University of Thessaly, and co-editor of the literary journal frmk. She has translated Ancient Greek lyric poetry as well as the poetry of Barbara Koehler, Gregor Laschen, Jesper Svenbro and André Pieyre de Mandiargues. She lives in Volos, Greece.

Brian Sneeden is the author of Last City (Carnegie Mellon, 2018). His poetry and translations have received the Iowa Review Award in Poetry, an NEA Literature Translation Fellowship, the World Literature Today Translation Award for Poetry, the Constantinides Memorial Translation Prize, a PEN/Heim Translation Grant and other recognitions. He is a lecturer in English at Manchester Metropolitan University.

Entry requirements: 16+, any under 18s accompanied by 21+ adult 1:1 ratio — Read more — Read less