Eyebrow

“And All The Giants” – new album with poet Jon Hamp, Spring 2026

“masterful sonic pacing and placement – it really feels filmic”                                            (Soweto Kinch, BBC Radio 3’s ‘Round Midnight)

"music of quiet imagination and intimate beauty. I hope a lot of people get to enjoy it" (Richard Williams, thebluemoment.com)

Using only a drumkit, a trumpet, and a small collection of stomp-boxes, Eyebrow produces an orchestral sound that encompasses elements of jazz, minimalism, ambient music, electronica, and far beyond.

Hailed as “Bristol’s answer to Nordic Noir” (Bristol 24/7), the duo brings together trumpeter Pete Judge, of BBC Jazz Award winners Get The Blessin&#x67;, and drummer Paul Wigens, best known for his work with cult-legends Blurt and The**** Blue Aeroplanes. The band has performed across the UK, toured in Serbia, Bulgaria and Portugal, and collaborated with dance companies, visual artists, and poets. Its 6< sup>th< /sup> album was a real-time soundtrack for the Bristol to Severn Beach railway line, featuring poetry collective The Spoke.

“And All The Giants” sees them explore new directions whilst maintaining their fingerprint sound of lyrical trumpet dancing across mesmeric drums.  The album is a collaboration with Bath-based writer Jon Hamp, whose evocative long-form poems explore landscape, history, and our relationship to both. Jon is the Kelston poet laureate, and his other projects include “The Other Side of the Tracks”, a collaboration with Bristol photographer Neil Phillips to document Bath City FC.

 “AATG” looks out across the sprawl of Bristol from the slopes of Kelston Roundhill, and summons up a new mythology. It was recorded at J&J Studios in Bristol by Pete’s GTB colleague Jim Barr. The album is released on CD and digital formats on April 3< sup>rd< /sup>, 2026.

From delicate textural atmospheres and hypnotic drones, to motorik grooves above which bold melodies drift and soar, Eyebrow’s soundworld is seductive and distinctive, and the perfect backdrop for Hamp’s sonorous and quietly epic word-pictures.  

“Amazingly symphonic: the ideal place for this music would be a cathedral,

or a clifftop, or maybe an asteroid”  Bristol Post