Pink Dot presents Eyehategod + Rwake + Intercourse **Tickets on sale Friday 6th February 2026 @ 10am** An influential New Orleans sludge metal outfit, Eyehategod emerged in the early 1990s with an ugly and uncompromising blend of doomy, bluesy punk, and misanthropic metal that quickly pushed them to the fore of the fertile NOLA metal scene. Since debuting in 1990 with In the Name of Suffering, the band have amassed a loyal following with potent and disorienting efforts like Take as Needed for Pain (1993), Confederacy of Ruined Lives (2000), and A History of Nomadic Behavior (2021). Formed in New Orleans in 1988, Eyehategod quickly ascended to the top tier of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. The brainchild of guitarist Jimmy Bower and drummer Joe LaCaze, the group eventually grew into a quintet with the arrival of vocalist Michael Williams, lead guitarist Brian Patton, and bassist Steve Dale. EHG issued their debut album, the raw and unrelenting In the Name of Suffering, in 1992 via the French label Intellectual Convulsion. After the label dissolved, the band were approached by Century Media, which re-released In the Name of Suffering in 1992, followed by the more refined, though no less incendiary sophomore effort, 1993's Take as Needed for Pain, which was recorded with new bassist Mark Schultz. After touring in support of the LP, the group went on an unofficial hiatus, with Bower joining Crowbar (as a drummer) and also playing in the Southern metal supergroup Down, Patton teaming up with Soilent Green, and Williams working as a writer for Metal Maniacs magazine. Dopesick In 1996, Eyehategod reconvened (with Vince LeBlanc on bass) for the chaotic Dopesick; however, the band fell largely silent for some time afterward. Bower returned to Crowbar for their 1998 album, Odd Fellows Rest, but left soon after to return to Eyehategod, who recorded several 7" singles on small independent labels. These were eventually collected on 2000's Southern Discomfort, along with several live tracks and outtakes from the Dopesick sessions. Southern Discomfort also served to prime the pump for the full-length Confederacy of Ruined Lives, which was released later that year, with Daniel Nick filling the revolving-door bass slot. EHG spent the next decade working on various side projects and sporadically performing live and issuing split records and 7"s -- the band's 2001 concert LP 10 Years of Abuse (and Still Broke) was released to complete a contractual obligation with Century Media. During this time, Williams was arrested on narcotics charges and subsequently managed to kick a long-term heroin habit. Longtime drummer Joey LaCaze passed away in 2013 and made his last studio appearance on the band's eponymous 2014 comeback LP, which became their most successful outing to date, appearing on multiple Billboard charts and garnering significant critical acclaim. Aaron Hill became Eyehategod's new drummer, and the group spent the next two years performing in support of the album. Williams, suffering from health issues that would eventually result in a 2016 liver transplant, took a leave of absence and was replaced (temporarily) by guest vocalists Phil Anselmo (Pantera, Down) and Randy Blythe (Lamb of God). Williams returned to the fold in 2018 to begin work on the band's sixth full-length effort. The resulting History of Nomadic Behavior was released in 2021. Rwake Locking horns somewhere betwixt the worlds of Southern sludge and art metal (well, Arkansas-style anyway), the band known as Rwake formed in Little Rock around 1997, recording their first demo the following year, and self-releasing a second, entitled Absence Due to Projection, in 1999. Another three years passed before the arrival of Rwake's first proper album, Hell Is a Door to the Sun, and another long-player, If You Walk Before You Crawl, You Crawl Before You Die, was completed for release through At a Loss Records in 2004. At this juncture, the group's lineup consisted of Chris Terry (vocals), Gravy (guitar), Kiffen (guitar), Reid (bass), Jeff (drums), and B. (Moog/vocals/samples). Intercourse NTERCOURSE, the acclaimed Connecticut noise rock outfit, unleash their latest full-length, How I Fell in Love with the Void, a visceral and unflinching exploration of life's bleakest corners. Driven by frontman Tarek Ahmed's relentless obsession with creation and a self-deprecating wit, this album delves deeper into the societal ills and personal struggles that have defined their output since 2013. From the jaded introspection of "Another Song About the Sun" to the searing commentary on disenfranchisement in "Family Suicide Gun," How I Fell in Love with the Void is a raw, unvarnished look at the emptiness many attempt to fill, and the ultimate liberation found in accepting that void. Recorded and produced by Chris Teti (The World Is A Beautiful Place and I Am No Longer Afraid To Die) and mastered by George Richter (Thy Will Be Done), How I Fell in Love with the Void finds INTERCOURSE at their most powerful and uncompromising. Tracks like the explosive opener "The Ballad of Max Wright" rip into scene politics and jealousy, while "Zoloft and Blow" offers a dark reflection on tragic celebrity. Complete with meticulous lyrical craft and an evocative cover by Sherilyn Furneaux, the album solidifies Intercourse's standing as the voice for "weirdos and freaks"—a defiant soundtrack for those on the outside looking in, intimately acquainted with the void and unburdened by its grip. Tickets sold by Strange Brew on behalf of the promoter, Pink Dot. All ticket revenue belongs to the promoter.

Entry requirements: 18+ — Read more — Read less