Our recent recommendations for The Bristol Fringe
Visceral, knotty free jazz trio taking whistle-stop tours through modal Coltrane blasts, John Zorn cinematic downtown skronk and even a nod to the blue-eyed grunge angel Kurt Cobain. Exemplary jazz chops with a punk attitude and Discus Music seal of approval, this is indeed a rare one FFO: Led Bib, Sons of Kemet, Lounge Lizards, The Thing.
Inspired by a Jean-Michel Basquiat painting The Exu produce layered, intense, creative & beautiful, thought provoking, genre fluid improvised music. Absolutely brilliant.
Sumptuous local chamber jazz from Get the Blessing’s trumpet maestro Pete Judge, melding perfectly with the delicate folk cello of James Gow. Four years young now, this duo feels like an infinite well of pastoral bliss FFO: ECM, Arthur Russell, Memotone, Arve Henriksen.
Duo between celebrated trumpeter Pete Judge and James Gow on cello & tenor guitar
Western Gothic / fringe roots supergroup of the macabre, LA’s Heathen Apostles effortlessly alchemize the honky tonk, bluegrass and dark folk chops of their Cramps, Kings of Nuthin + Legendary Shack Shakers pedigree. Haunting, hard-edged outlaw country that’ll ride you past the sunset into the underworld FFO: 16 Horsepower, Graveyard Train, Those Poor Bastards.
With Halloween drawing near what better band to see than Heathen Apostles? A band that have created a style of music that at once conjurs both angels and demons, and will enlighten a darkened soul. Enter the back room of The Bristol Fringe and be entertained like you've never been before!
Award-winning jazz pianist Robert Mitchell brings one of his uniformly gorgeous solo shows to The Fringe. Bold staccato numbers, vaporous improv, classic covers, poetry – Mitchell is as versatile as they come. A kaleidoscopic key-slinging séance!
Exciting solo show from leading UK pianist and improviser
What do Shabaka Hutchins, Dinosaur, Ligeti Quartet and Emma-Jean Thackray all have in common? Avant-garde pianist extraordinaire Elliot Galvin! Elliot’s astonishing solo outings conjur haunted electro-acoustic music halls filled with the Keith Jarrett's classical fusion and Nils Frahm’s pulsing synths. Total unmissable for all nu-jazz disciples.
For this one off solo concert Elliot will be playing reinterpretations of his critically acclaimed recent album 'The Ruin', alongside improvisations that combine soundscape modular synths with exploratory acoustic piano.