BR:EAK V
A clubnight held at The Croft on Friday 28th July. The event starts at 23:00.
Round 5 is among us. By now you know what we do & how we roll. Expect the best in local DJ talent with USB's stacked to the brim with belters to appease the ears.
With its origins in the depths of 1980's New York City, but having fed the idealisms across many worldwide & UK sub-cultures & genres; breakbeat is back in Bristol. We bring you the newest in-house event from The Crofters Rights showcasing some of the best and brightest in the field.
Lineup TBA.
Tickets from £3 ADV & £7 OTD.
18+
In the late-1980s, breakbeat became an essential feature of many genres of breaks music which became popular within the global dance music scene, including acid breaks, electro-funk, and Miami bass, and decade later big beat and nu skool breaks.
In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore.[4] The hardcore scene then diverged into subgenres like jungle and drum and bass, which generally was faster and focused more on complex sampled drum patterns. An example of this is Goldie's album Timeless. Josh Lawford of Ravescene prophesied that breakbeat was "the death-knell of rave"[5] because the ever-changing drumbeat patterns of breakbeat music didn't allow for the same zoned out, trance-like state that the standard, steady 4/4 beats of house enabled.
Entry requirements:
With its origins in the depths of 1980's New York City, but having fed the idealisms across many worldwide & UK sub-cultures & genres; breakbeat is back in Bristol. We bring you the newest in-house event from The Crofters Rights showcasing some of the best and brightest in the field.
Lineup TBA.
Tickets from £3 ADV & £7 OTD.
18+
In the late-1980s, breakbeat became an essential feature of many genres of breaks music which became popular within the global dance music scene, including acid breaks, electro-funk, and Miami bass, and decade later big beat and nu skool breaks.
In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore.[4] The hardcore scene then diverged into subgenres like jungle and drum and bass, which generally was faster and focused more on complex sampled drum patterns. An example of this is Goldie's album Timeless. Josh Lawford of Ravescene prophesied that breakbeat was "the death-knell of rave"[5] because the ever-changing drumbeat patterns of breakbeat music didn't allow for the same zoned out, trance-like state that the standard, steady 4/4 beats of house enabled.
Entry requirements:
Tickets for other 140 clubnights
