BR:EAK VOL.3
A clubnight held at The Croft on Friday 31st March. The event starts at 23:00.
BR:EAK is back and badder than ever, with another stacked out lineup & more chunky chops for you to get your groove on to, how could you say no?
With its origins in the depths of 1980's New York City, but having fed the idealisms across many worldwide & UK sub-cultures & genres; breakbeat is back in Bristol. We bring you the newest in-house event from The Crofters Rights showcasing some of the best and brightest in the field.
Lineup TBA.
Tickets from £3 ADV & £7 OTD.
18+
In the late-1980s, breakbeat became an essential feature of many genres of breaks music which became popular within the global dance music scene, including acid breaks, electro-funk, and Miami bass, and decade later big beat and nu skool breaks.
In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore.[4] The hardcore scene then diverged into subgenres like jungle and drum and bass, which generally was faster and focused more on complex sampled drum patterns. An example of this is Goldie's album Timeless. Josh Lawford of Ravescene prophesied that breakbeat was "the death-knell of rave"[5] because the ever-changing drumbeat patterns of breakbeat music didn't allow for the same zoned out, trance-like state that the standard, steady 4/4 beats of house enabled.
Entry requirements:
With its origins in the depths of 1980's New York City, but having fed the idealisms across many worldwide & UK sub-cultures & genres; breakbeat is back in Bristol. We bring you the newest in-house event from The Crofters Rights showcasing some of the best and brightest in the field.
Lineup TBA.
Tickets from £3 ADV & £7 OTD.
18+
In the late-1980s, breakbeat became an essential feature of many genres of breaks music which became popular within the global dance music scene, including acid breaks, electro-funk, and Miami bass, and decade later big beat and nu skool breaks.
In the early 1990s, acid house artists and producers started using breakbeat samples in their music to create breakbeat hardcore.[4] The hardcore scene then diverged into subgenres like jungle and drum and bass, which generally was faster and focused more on complex sampled drum patterns. An example of this is Goldie's album Timeless. Josh Lawford of Ravescene prophesied that breakbeat was "the death-knell of rave"[5] because the ever-changing drumbeat patterns of breakbeat music didn't allow for the same zoned out, trance-like state that the standard, steady 4/4 beats of house enabled.
Entry requirements:
Tickets for other breakbeat clubnights
— The Trinity Centre
happy hardcore
dub
hardstyle
jungle
techno
— The Prospect Building
dubstep
electronic
house
jungle
uk garage
