“A solitudinal; a head cloud of starlings murmur the songs cloaked amplifiers sing, blissed and burned, in this sidechain ouroboros.
Immortal fire of individual will, fanned to flaming with love, unheeding the storm-blasts will walk together.”*

Destroyertones is a bodywork, based in composition, photography, and visual abstraction. Conceptually, the work explores catharsis through ritual isolation, loneliness, and the importance of growth and change.
Sonically, the work pushes ambient speaker heat into noise, balancing lightness with crushing weight, growing from a semi-sinusoidal drone to a palisade of noise, harmony, and sub-bass.
Black and white film photography is used to create visual metaphors and layered to imbue the work with a sense of movement. Pushed ISO is used to create visible grain and increased dynamic range, forging an evocative contrasting visual language.
The filmographic work portrays isolation and movement through a visual exploration of Bristol’s green spaces. Forced through circuitry, these glitched visuals matched with trance-inducing drones show a representation of nature morphed by one’s mental state on long therapeutic walks.

Artists: Sean Addicott, Claire Addicott, Cressida Williams, Rory Joseph.
Preview: Friday 22 July, from 8pm
Open daily Saturday 23-27 July, from 10am - 6pm

FREE, however donations accepted.

Centrespace is accessible from road level, and has a wheelchair ramp. Further accessibility information to follow.

*The latter sentence lovingly sampled from the works of Voltairine de Cleyre.

Entry requirements: — Read more — Read less