Afro-punk luminaries BCUC are a truly special force to behold on stage, so we’re extremely proud to welcome them back to The Jam Jar for another two nights of sonic ritualism, emotion and mayhem.

The 6 piece power ensemble from Soweto brings elements of psychedelic funk, hip hop consciousness and a punk rock attitude to their unique high energy show.

BCUC have been crushing performances for 20 years, but it’s clear that now is their time!

We're also delighted to welcome back the amazing Sisanda Myataza in support.

Wednesday 13th March & Thursday 14th March
The Jam Jar Presents
BCUC: Bantu Continua Uhuru Consciousness
+ Sisanda Myataza
Doors Open 7.30pm

*2023 Womex Artist Award Winners*

“without a doubt the best live act I saw”- Gilles Peterson

“Loved their set, it was one of my highlights of a great weekend” – Nick Dewey, Glastonbury Festival

“guaranteed to touch untapped corners of your soul” – Okayafrica
“the most impressive newcomers this year” – The Guardian

BCUC: BANTU CONTINUA UHURU CONSCIOUSNESS
Indigenous funk, hiphop consciousness and punk rock energy from Soweto, South Africa.
From humble beginnings, rehearsing in a shipping container a stone’s throw from the church where Desmond Tutu organised the escape of the most wanted anti-Apartheid activists of Soweto, BCUC have grown to become one of the world’s most celebrated bands, playing the biggest stages at some of the most important festivals in the world: Glastonbury West Holts, Roskilde, Afropunk Brooklyn, Dour, Worldwide, Womad, Fusion, Sziget, FMM Sines, Beaches Brew, Boomtown, Colours of Ostrava, Couleur Café.
Like its elders, Bantu Continua Uhuru Consciousness sees its music as a hedonistic trance, but also as a weapon of political and spiritual liberation. 2023 even saw them win the prestigious Womex Artist Award, an accolade usually reserved for much older artists, in recognition of their fearless work ethic and prodigiously transformational live shows.
The seven-piece band has been mesmerising audiences both locally and globally with its indigenous funk and high-energy performances that have fast made it one of South Africa’s most successful musical exports. Artistic heirs to Philip “Malombo” Tabane and Batsumi, they give contemporary voice to the ancestral traditions of indigenous peoples. Jazz sounds of 1970s and ‘80s productions replaced by hip-hop influences and punk-rock energy, taking the listener on an intriguing epic journey, sharing their controversial yet interesting views on modern Africa. They tackle the harsh realities of the voiceless, especially the plight of the uneducated workers at the bottom of the social food chain. BCUC taps into the elusiveness of the spirit world of ancestors by which they are inspired. The Africa portrayed by BCUC is not poor, but rich in tradition, rituals and beliefs.
“We bring fun and emo-indigenous Afro psychedelic fire from the hood,” says vocalist Kgomotso Mokone.

SISANDA MYATAZA
Sisanda emanates the spirit of her place of birth on any stage, with haunting and dynamic contralto vocals that will make you pay attention. Growing up in the dawn of post- apartheid South Africa,Sisanda uses her music to express and share her thoughts on matters close to her heart.
She started out leading songs at her local church and later won ,”battle of the bands” at age 16 in her hometown of East London(not that one, the other one.) Some fancy accolades include … Winning a national competition to be named , ESP YoungLegends 2017, at The Cape Town Jazz Festival , performing at Trans musicales in France,and filming a live set for Seattle(USA) radio station KEXP with her french project SONGØ

Entry requirements: no age restrictions (under 18s to be accompanied by an adult over 21yrs, 1:1 ratio) — Read more — Read less