Headfirst Editor's Pick
"Absurdist prop puppetry and multimedia fragmentation drive this astounding one-woman show from director, writer and performer Claudia Shnier. Across allegorical hoovers, scissors and alternative selves, she sheds light on her twin experiences of OCD and coercive control – combining viscerally cathartic physical theatre and storytelling genius."
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A event held at Loco Klub on Tuesday 28th April. The event starts at 20:00.
I LOVE YOU BUT YOU MAKE ME WANT TO CUT MY HAIR. Critically acclaimed tragi-comedy, SPLIT ENDS follows the story of a woman who falls in love with a Vacuum. Using physical theatre, puppetry and multi-media, this ‘Sarah Kane Rave’ explores control and abusive power disguised as love.
The thing about split ends is that as soon as you cut one off, somewhere else on the head, another strand of hair will split. Cut, split, cut split, ad infinitum. Claudia, “a real tour-de-force” (ReviewsHub) is consumed by her split ends until she fell in love with a Vacuum, an actual Vacuum, who happened to be the hairiest thing she’d ever fallen in love with. A thing that made her want to pluck her arm hairs, wax her legs and cut her hair. The Vacuum would shed his hairs, leave, disappear, reappear, shed, tell her he loved her, tell her he lied, leave, shed, appear, shed, malt, love, lie, cheat, shed, shed. Claudia cut hairs, plucked hairs, vacuumed hairs, hunted hairs, waiting for him to pull the plug on what they had because she couldn’t. In an exploration of coercive control, love and the addiction to people who hurt us, this five star production which is “as raw as they come…sheer inventiveness” (LouReviews) attempts to understand when we are meticulously in control or incredibly out of it.
"The most powerful piece of performance art I've ever had the privilege of experiencing." -Edfringe Review
“A powerhouse performance.” -Broadwayworld
“The honesty and vulnerability captured…is haunting.” - Liam O’Dell
“It’s a remarkable hour.” - Stage Noise
“Genuinely the best theatre performance I’ve ever seen” (Audience member)
Entry requirements: 16+, any under 18s accompanied by 21+ adult 1:1 ratio
The thing about split ends is that as soon as you cut one off, somewhere else on the head, another strand of hair will split. Cut, split, cut split, ad infinitum. Claudia, “a real tour-de-force” (ReviewsHub) is consumed by her split ends until she fell in love with a Vacuum, an actual Vacuum, who happened to be the hairiest thing she’d ever fallen in love with. A thing that made her want to pluck her arm hairs, wax her legs and cut her hair. The Vacuum would shed his hairs, leave, disappear, reappear, shed, tell her he loved her, tell her he lied, leave, shed, appear, shed, malt, love, lie, cheat, shed, shed. Claudia cut hairs, plucked hairs, vacuumed hairs, hunted hairs, waiting for him to pull the plug on what they had because she couldn’t. In an exploration of coercive control, love and the addiction to people who hurt us, this five star production which is “as raw as they come…sheer inventiveness” (LouReviews) attempts to understand when we are meticulously in control or incredibly out of it.
"The most powerful piece of performance art I've ever had the privilege of experiencing." -Edfringe Review
“A powerhouse performance.” -Broadwayworld
“The honesty and vulnerability captured…is haunting.” - Liam O’Dell
“It’s a remarkable hour.” - Stage Noise
“Genuinely the best theatre performance I’ve ever seen” (Audience member)
Entry requirements: 16+, any under 18s accompanied by 21+ adult 1:1 ratio
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