A gig held at Lost Horizon on Thursday 20th October. The event starts at 19:30.
Gus Fairbairn, aka Alabaster DePlume, has a pocketful of phrases that he uses all the time whether he’s walking down the street or holding court with musicians and an audience. For a long time the Mancunian would tell anyone who’d listen that they were doing very well. More recently, it’s another phrase which has a similar effect and which belies his unwavering commitment to personal
vulnerability and collective politics: “Don’t forget you’re precious.”
A process that is people-first not product-first ensures that the music is unique; often gem-like. Alabaster DePlume’s songs are built on sonorous circular melodies and luminous tones that transmit calmness and generosity in warm waves – unless they’re raging against complacency and the everyday inhumanity of end times capitalism. Most importantly, he brings a valuable transparency to
his work. “This is what I’m really doing,” he says. “I want to talk about why I’m doing this, and how I’m doing this.”
His double album Gold (2022) was recorded at London’s Total Refreshment Centre (TRC) over two weeks. He invited a different set of musicians each day, playing the tunes to click so that DePlume, who also produced it, could cut the 17 hours of sessions together like a collage. As with allhis sessions, he ensured that the musicians didn’t have enough time to rehearse the tunes, instead
requiring them to tune into each other and to rely on each other to reach the end of a song. There was another rule: no listening back to sessions after recording.
“The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That is the story and the process – and I want to live that way.”
Stevie Toddler is a bassist/ singer/ songwriter based in Bristol since 2014. Having originally studied classical double bass, she's since dabbled in a variety of musical worlds, from jazz to pop to folk. Her sound blends all these influences, however at the heart of her tunes is a alt-pop sensibility. Her influences include Pixies, St. Vincent and Radiohead. https://eartrumpetmusic.co.uk
Entry requirements:
vulnerability and collective politics: “Don’t forget you’re precious.”
A process that is people-first not product-first ensures that the music is unique; often gem-like. Alabaster DePlume’s songs are built on sonorous circular melodies and luminous tones that transmit calmness and generosity in warm waves – unless they’re raging against complacency and the everyday inhumanity of end times capitalism. Most importantly, he brings a valuable transparency to
his work. “This is what I’m really doing,” he says. “I want to talk about why I’m doing this, and how I’m doing this.”
His double album Gold (2022) was recorded at London’s Total Refreshment Centre (TRC) over two weeks. He invited a different set of musicians each day, playing the tunes to click so that DePlume, who also produced it, could cut the 17 hours of sessions together like a collage. As with allhis sessions, he ensured that the musicians didn’t have enough time to rehearse the tunes, instead
requiring them to tune into each other and to rely on each other to reach the end of a song. There was another rule: no listening back to sessions after recording.
“The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That is the story and the process – and I want to live that way.”
Stevie Toddler is a bassist/ singer/ songwriter based in Bristol since 2014. Having originally studied classical double bass, she's since dabbled in a variety of musical worlds, from jazz to pop to folk. Her sound blends all these influences, however at the heart of her tunes is a alt-pop sensibility. Her influences include Pixies, St. Vincent and Radiohead. https://eartrumpetmusic.co.uk
Entry requirements:
Other experimental gigs
— The Tobacco Factory
jazz
soul
blues
contemporary jazz
new orleans jazz
— The Full Moon & Attic Bar
folk
disco
disco house
festival
food & drink
— DOCUMENT
experimental
festival
soundtrack