Oneness: An conversational evening with Lonnie Holley and Matt Arnett + films
Imaginations & images, stories & educations and much more as the artist and musician Lonnie Holley goes deep into conversation with his long time manager Matt Arnett. Plus the screening of two amazing films Lonnie has been part of 'I Snuck Off The Slave Ship' + 'The Man Is The Music'.
“I tell a lot of people, the universe is my studio” - Lonnie Holley
Over three days and nights the prophetic and wonderfully natural and mystical Lonnie Holley is here in Bristol to make, discover and connect via song and film / talks and workshops. Two of the nights are spent at The Cube who will host a special set of shows by this compelling and spellbinding artist from the USA, who at near 70 years old is in his elemental. The weekend plans to be an uplifting resource and emotional guide through our troubling times.
Lonnie Holley is an African-American artist, art educator, and musician. His mum born twenty seven children and from the age of five, Holley worked: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic. Since 1979,Holley has devoted his life to the practice of improvisational creativity. His compulsion to show up and make, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Over his time in Bristol we will witness some of this integrated art making and magic.
As a musician he improvises, records and morphs song-form into crazily beautiful shapes. Using piano, keyboards and star-guided vocalisations (lyrics both dreamily transcendental and arrestingly commonplace), his melodies and audio visions emanate authentically from a heart, soul and intellectual headspace.
MITH, his latest LP on Jagjaguwar is an impressionist piece of storytelling. His ability to move through time and space in the course of a song is something which few song-makers are capable - names like Sun Ra, Joni Mitchell, Joanna Newsom and Gil Scott-Heron come to mind. On the album Holley touches on Black Lives Matter ("I'm a Suspect"), Standing Rock ("Copying the Rock") and contemporary American politics ("I Woke Up in a Fucked-Up America"). There are two more albums to check but please etch into you mind, Lonnie doesn’t do the same song twice. The request, in this case, is simply to turn up, turn on and see what rises.
Holley’s distinctive art pieces are constructed from found materials in the oldest tradition of African American sculpture. Objects, already imbued with cultural and artistic metaphor, are combined into narrative sculptures that commemorate places, people, and events. His work is now in collections of major institutions all over the world... he is also a natural grassroots art workshop leader. During his Saturday talk at The Cube he will show images of his pieces and talk about them with his long time friend and manager Matt Arnett, whose Father had been collecting Lonnie's work since the 1980's. It was Matt who in 2010 set up show in his house which resulted in his first album being released on Dust-to-Digital, they have worked together since.
"I'm not trying to copy nobody, not trying to outdo nobody with my music," he says to me. "I'm trying to celebrate the opportunities that music allows for each individual. Because if you look back at music, music didn't need no classroom, music didn't need nobody to give it a Grade A. Music was made in the fields, it was made in some of the meanest conditions. I'm not giving you no mind, mister man, music made people get out of their sick bed." / NPR -https://www.npr.org/sections/therecord/2013/10/31/242114835/lonnie-holley-self-made-man?t=1574163482159
Thumbs Up To Mother Universe with LONNIE HOLLEY / Sat 8th to 9th February 2020 / at The Cube Microplex/Bristol/England and 10th February somewhere else in Bristol.