Bristol Folk House
Adult education centre on Park Street.
Through a doorway on Parkstreet, down a narrow corridor and across a sunny (sudject to weather) courtyard, the unexpectedly large building of the Bristol Folk House has stood since 1963, and is still being discoverd in its bs1 hiding place by life long Bristol dwellers to this day. It's an adult education centre, venue, meeting space and cafe,
providing courses in arts and crafts, creative writing, languages and more.
As a venue the BFH has been long famous for live music in Bristol. Running a weekend program of music featuring Folk, acoustic, roots, Americana and music of all flavours with both local, national and international acts. As an adult education centre,the BFH provides variety of part-time day and evening courses and workshops for over 18's.The Folk House is a welcoming environment in which to explore your creativity and learn new skills.
As a venue the BFH has been long famous for live music in Bristol. Running a weekend program of music featuring Folk, acoustic, roots, Americana and music of all flavours with both local, national and international acts. As an adult education centre,the BFH provides variety of part-time day and evening courses and workshops for over 18's.The Folk House is a welcoming environment in which to explore your creativity and learn new skills.
What's On At Bristol Folk House
— Bristol Folk House
experimental
talks
exhibition
lgbtq+
— Bristol Folk House
spoken word
festival
workshops & classes
poetry
— Bristol Folk House
spoken word
theatre
open mic
poetry
— Bristol Folk House
a cappella
folk
jazz
singer-songwriter
soul
— Bristol Folk House
folk
indie folk
singer-songwriter
traditional folk
Get a feel for Bristol Folk House
Our recent recommendations for Bristol Folk House
A night of radical reflection at Bristol Folk House, discussing Helen Moore’s collection of ecopoetry with poet, journalist and activist Ambrose Musiyiwa. The Last Lighthouse in Rising Seas moves through environmental grief, collapsing systems and collective action, its urgency and pathos balanced with joy and hope.
Join us for a poetry reading and dialogue between Ambrose Musiyiwa and Dr Helen Moore. This event is part of Bristol Refugee Festival.
What’s love got to do, got to do with it? What’s love, but a second-hand emotion society constructs to reinforce patriarchal power structures? An inspired evening of readings and literary performance riffing on the visionary bell hooks and her urgent call for co-created spiritual growth in a fucked up world. You don’t have to have read it in advance, but you really should!
Explore bell hooks 'all about love' to look beyond the realm of fantasy
As the number one polluter in the world and the single biggest threat to lasting human peace, the US military is Earth’s greatest enemy. Abby Martin’s disturbing new doc slings a stone at the war-machine, revealing the birth defects, contaminated water and ravaged ecosystems left in the wake of Captain America’s reckless onward march. Impunity no more, this is painful yet necessary watching for us all.
An investigative documentary revealing the environmental cost of military empire.
Big one for fans of lore, necromancy and mob mentality: freak folk tales from forgotten lands meet a horologist bound to the ‘techno rock promise’. Scops perform the mythical avant-garde opera of Greya and Glibyun before committing their oral mythology to record, joined by enigmatic experimental quester Goodiepal.
Scops will be performing their sonic folk tale “Greya and Glibyun” for the first time this year. The somewhat mythological Faroese experimental electronic musician and horologist, Goodiepal (Gæoudjiparl), will be bringing some good ole Nordic eccentricity to the folk house.
Ian A. Anderson marks six decades in Bristol’s folk scene with a night of earthy country blues. His hymn-like melodies ripple with twangy, good-natured campfire warmth – a living archive of timeless folk craft, performed with unassuming brilliance. FFO: Nick Drake, Grateful Dead, CSNY.
Ian A. Anderson celebrates 60 years since his first paid gig