Bristol’s theatres and art galleries are as world-renowned as it’s underground culture (Banksy, Tricky et al). Think Bristol Hippodrome, Bristol Old Vic, The Tabacco Factory, Redgrave Theatre and the Department of Theatre at the University of Bristol, where the theatre journey starts for many young Bristolians. While Bristol’s theatres are all smaller than those of the capital and there’s no dedicated theatre district, you’re just as likely to see West End plays like the Book of Mormon and War Horse as smaller more experimental productions at one of the city’s dramatic festivals like Mayfest, Young Blood Theatre Festival and the Bristol Shakespeare Festival. Even clubs like Loko Club act as a sort of in-between for Bristol’s more immersive theatre productions that stem from circus-based theatrics of Circomedia.
Bristol’s Old Vic Theatre is nationally renowned for big-budget shows and for empowering new theatrical talent with Bristol Ferment. While the Old Vic and it’s companion theatre school cater for both experimental and traditional performances, the popularity of physical theatre elsewhere in the city continues to rise. Cicrcomedia’s school for circus performance and physical acting hosts shows from both its students and scratch nights put on by Ausform. The Tobacco Factory Theatre is South Bristol’s artistic hub with tickets for experimental theatre, comedy and workshops all available. Other theatres of note include The Alma Tavern in Clifton and the Wardrobe Theatre in Old Market (part of the Old Market Assembly).
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Our recent theatre recommendations
The feral freaks of Untamed Burlesque are making their stunning return to the stage with a stacked lineup of legendary sexy beasts of the burlesque scene. With 'Plymouth's Sexiest Vegan', 'Dr. Frankenstein of the Fringe' and 'The Queen of Nerdlesque' all on the books, it's gonna be wet, wild'n'weird!
Untamed Burlesque at Zed Alley.
They destroy ten, we plant a thousand! Part of BPFF 2026, Bristol Palestine Museum screens documentary Land of Canaan, exploring the destruction of Palestinian livelihoods and cultural heritage through a defiant grassroots farmers’ movement to protect the West Bank’s olive oil industry. Meditative, moving and quietly incendiary.
Land of Canaan at Bristol Palestine Museum.
Translation is a fine and mysterious art. An art of unearthing, tracing, mapping, scrying, weaving, layering. Welcome Translators' House Press as they make their first forays into indie publishing, launching two new gorgeous riso-printed poetry chapbooks as part of their EBB residency from two linguistic sorcerers of the highest pedigree.
Translators' House Press Launch Event: Angus Allman & Grace Calk at East Bristol Books.
You don't know how to dabke?! Don't panic, Marya Malas will lead you in this welcoming crash course in the gorgeous, buoyant Palestinian dance (w/ social and snacks too), so you can school your nan at your cousin's upcoming wedding.
Dabke Dance Workshop & Social at The Jam Jar.
What our editors say
“Elevate is a skills-building programme for socially engaged theatre-makers and artists who are interested in working with a specific community of people. It is designed as a practical, explorative course that we hope builds a lasting creative community. We have a cohort of practitioners signed up for the term, but we also open up some sessions for all to book on to.”
From: An introduction to social enterprise: running yourself as a business
“Join us for a night of spontaneous laughter at The Improv Spotlight. Immerse yourself in the world of unscripted comedy as two talented groups from our vibrant community take centre stage. These groups will weave unique stories, characters, and humour on the spot for your entertainment. The Spotlight highlights the spontaneous comedy of improvised theatre and proudly showcases the diverse skills of local troupes and artists within our community.”
From: The Improv Spotlight
“Whilst this work is done by us in a theatre setting, we feel this workshop would benefit more people than just theatre practitioners. We particularly think community organisers and campaigners may benefit, but also any artists that work in community settings.”
From: Community theatre practice: Engaging with communities. Why and How?
“We meet two people and witness parts of their lives in small vignettes as they sit and wait for a theatrical show to start. But not all is right with this relationship. It could be by sheer coincidence or the magic of theatre that the show hints at how their life could be. We find out how the show affects their lives as we answer the question of what happened After The Interval.”
From: The Improv Spotlight
“This workshop will benefit anybody who is passionate about everyday heritage and people's history – not just for theatre practitioners. Writers, story tellers, film-makers, and researchers may also find this helpful.”
From: Engaging with heritage to create original theatre