"British folk iconoclast Chris Wood graces the candlelit hush of John Wesley’s New Room. His everyday epics sketch sharp-edged portraits of England’s many overlooked lives, from empty nests to minor league football teams to tragedies of industrial decay. Acute compassion ballads FFO: Martin Carthy, Karine Polwart, Billy Bragg, Richard Dawson."
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A gig held at John Wesley’s New Room on Saturday 21st November. The event starts at 19:30.
Chris Wood is an uncompromising writer whose music reveals his love for the un-official history of the English speaking people. With gentle intelligence he weaves the tradition with his own contemporary parables.
A self-taught musician, composer and song writer, Chris is a lifelong autodidact whose independent streak shines through everything he does. Always direct and unafraid to speak his mind, his song writing has been praised for its surgical clarity. He cites his major influence as “Anon”.
His most recent album ‘So Much to Defend’ has received wide critical acclaim and includes reflections on minor league football, empty nest syndrome, learning to swim, Cook-in Sauce and, not least, the Gecko as a metaphor for contemporary society.
Hollow Point; his chilling ballad of the shooting of Jean Charles Menezez, won a BBC Folk Award (he's won six.) and emphatically secured Wood’s place as a serious speech-master for the unofficial history of England.
Collaborators include Martin Carthy, Dizraeli, Billy Bragg, Andy Cutting, Andy Irvine, Karine Polwart, Jean Francois Vrod, The Imagined Village, Hugh Lupton, Martin Butler and many others.
On stage Chris has the air of a craftsman who no longer needs to be precious about his art. Without any apparent effort he reaches deep into an enviable repertoire of songs before revealing another gem.