Jazz Gigs in Bristol

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Bristol's Jazz Scene

There are two distinct sides to Bristol's jazz scene and in the middle a line that's rarely crossed...

Jazz in Bristol's Large Venues
On one side are the (usually larger) international jazz events, typically at venues like Colston Hall and St Georges. These are great venues to see contemporary jazz in Bristol with recent (2009 - 2010) highlights including Portico Quartet, Cinematic Orchestra and the Neil Cowley Trio. Live jazz in these Bristol venues has more of a concert feel, almost always seated and usually around the £15 mark depending on the seats. Bristol is fortunate to be a key stop over in most UK jazz tours and it is always worth keeping an eye on who's playing when and where and get jazz tickets early for decent seats.

Jazz in Bristol's Small Venues
The otherside of Bristol's live jazz scene couldn't be more different. Bristol is home to some awesome jazz musicians, many of international standard playing international gigs. What's great about Bristol is you can often catch these artists while they're at home often for free. Notable examples include Daisy Palmer (drummer - Goldfrapp), James Bateman (sax - Badbone & Co, Ronnie Scotts) and James Morton (sax - Pee Wee Ellis, The Herbaliser). Unlike the large tours at the bigger venues jazz gigs in Bristol pubs are more organic and unpredictable. With so many quality musicians playing in so many different bands or improvising with different artists, live jazz in Bristol is constantly evolving. When looking for whats on jazz in Bristol it's often more important to consider which individual musicians are playing where, rather than browsing by band or headliner. At live music events in Bristol pubs for the best views you'll need to stand but sometimes tables if you're lucky enough to get one.. ***** Where to see live jazz in Bristol
The whats on listings to the left show all upcoming jazz gigs in Bristol but it's still worth mentioning some consistent venues. Always check whats on at the Coronation Tap on Tuesdays and Sundays, (usually jazz or blues, always free). Other key jazz venues in Bristol include the Old Duke (live music every night, always free) and the Grain Barge (gigs every Friday, around £3).

We also have whats on info and listings for gypsy jazz, which we have decided to keep separate.

Is there a new generation of jazz?

Many people who lived through the golden era of jazz will tell you it's dead. But many international publications say jazz is having a new dawn in the UK and that the genre is evolving because of multiculturalism. Some of this can be seen in the Bristol jazz scene, the non-purist outlook of Worm Disco Club and Bristol Jazz and Blues Fest. With a new generation of jazz fans, comes a new outlook on jazz - Bristol has always had young and adventurous music makers from it’s local community and insurgent student population. Will Bristol be the new centre of a new kind of jazz in the UK? Only time will tell.

Buy tickets for jazz events in Bristol

Our recent jazz recommendations

Woi oi! Iconic 'ardkore action incoming from the unrivaled Moving Shadow fold! Reinforced / Altern8 / Shut Up And Dance heads will already have their tickets of course. For everyone else: breakbeat ravestalgia doesn’t come much ruffer than 2 Bad Mice, chopping samples and bombing tha bass like it was the Second Summer of Love all over again. 2 Bad Mice + Friends at The Jam Jar.

Sell out warning! Harakiri are the only band you need on your post-black sky chariot riding mix. Triumphant melody barely-disguising soul-wrenching trauma, blistering blast-beats; BM purists beware, this is pure catharsis stitched with post-rock, post-hardcore, grunge and skramz DNA. With Denmark's impossibly mournful Sunken opening things up, ethereal awakenings await disciples of: Alcest, Deafheaven, Drudkh, WitTR. Harakiri for the Sky & Sunken at Strange Brew.

Sell out warning! You’ve never heard pipes like this! Queer futurism from visionary bagpiper Malin Lewis, playing self-made instruments and the world’s first wooden Lindsay Chanter. Malin channels their pipes and drones to form a layered, shifting sonic language that lives between binaries. Malin Lewis at The Jam Jar.

British folk iconoclast Chris Wood graces the candlelit hush of John Wesley’s New Room. His everyday epics sketch sharp-edged portraits of England’s many overlooked lives, from empty nests to minor league football teams to tragedies of industrial decay. Acute compassion ballads FFO: Martin Carthy, Karine Polwart, Billy Bragg, Richard Dawson. Chris Wood at John Wesley’s New Room.

More Photos of Jazz Gigs in Bristol

What our editors say

“Join us at our new home The Ill Repute as we welcome a man who needs no introduction. Expect blistering bebop, heartbreaking ballads and hard-swinging goodtimes all round. Jonny will join the houseband to play a set of Jazz standards folllowed by a Jam session. Get down early to secure a table, entry is free, £5 suggested donation!”
From: Jonny Bruce + Jam Session

“As any fan knows, this wouldn’t be Yellow Days without the album having a strong visual theme. A first glimpse of this comes with the film noir-inspired promo clip for ‘Sharon’, featuring a bearded van den Broek as a big-band leader who has seemingly stepped straight off the set of Casablanca. “We had this idea of ‘era confusion’ for the video,” he explains. “Everything jumbled up. So a mash-up of a ’40s big band on a ’60s TV show, but with young, modern faces. It’s a metaphor for the way genre works these days, the fact that everything is a big meeting pot of eras and styles that we just call ‘Alternative’.”
From: Yellow Days / Yuuf / Amri

“Open to all musicians and music lovers alike. Want to play? Get down early to add your name and tune to the list. Whether you're sitting in or just soaking up the atmosphere, everyone is welcome for a great night of live jazz.”
From: East Bristol Jazz Club - Monthly Jam

“Al Cohn and Zoot Sims were one of the great tenor sax partnerships in jazz. In a series of albums beginning in the late fifties, along with regular spots at the Half Note in New York, they developed a quintet sound based on a joyful approach to performing, rooted in swing, informed by bebop and growing from their experiences together in the Woody Herman band. Al Cohn’s arrangements are super hip and not performed all that often. They often create the feeling of a ‘mini-big band’, with driving swing and tight ensemble playing, along with space for the soloists to shine individually and in duet. This is an exciting challenge for a band and a hugely enjoyable experience for the audience.”
From: From A to Z – The music of Al Cohn and Zoot Sims

“Described as “a breath of fresh air on the swing scene” (Twinwood Festival) Down for the Count’s 10-piece mini big band is regularly found in jazz clubs across the UK and abroad (Ronnie Scott’s London, Le Caveau de la Huchette Paris), at festivals including London Jazz Festival, and on BBC Radio. Now they are bringing the sounds and feels of the best jazz clubs to theatres around the country – with an electrifying show full of incredible energy, musicianship, and their own signature wry wit and humour.”
From: Swing That Music with the Down for the Count All-Stars