Bristol's World Music Gigs

upcoming gig

Bristol's World Scene

Do we need the term World music in 2020?

World music has always been a problematic term, somewhere like Bristol is a key example of why. With 16% of the population being from ethnic minority groups and dedicated centres studying the impact of migration on citizenship, there seems little distinction between ‘local music’ and ‘world music’ anymore. Reggae is often classed as ‘world music’ given its Jamaican roots, but it has a strong UK heritage and for someone who is a 2nd or 3rd generation UK citizen with migrant parents, making music that’s classed as ‘world’ when they’ve never lived anywhere else but say, Bristol, seems an offensive categorisation. Its almost a cliche to say we live in a global society, so isn’t all music now world music?

Everyone knows that Bristol is a true melting pot of cultures and it comes as no surprise that the city has a healthy world music scene which manages to avoid the cliche. The on-trend big names in world music like William Onyeabor, Ebo Taylor or the Kuti family usually find themselves at home in Bristol’s Colston Hall. Occasional headliners can also be found at The Fleece and the Trinity Centre. St George’s hosts regular world music events covering more traditional music from Senegal, Mozambique and South Africa, where instruments like the kora and mbira are commonplace.

Locally, Bristol is home to some very talented ‘world music’ musicians. Afrobeat stalwarts like Mankala and No Stop Go (formerly Bristol Afrobeat Project) play smaller venues like The Canteen and The Old Market Assembly but also get the opportunity to support international bands at larger Bristol venues.

Buy tickets for world events in Bristol

Our recent world recommendations

Sell out warning! Sun-baked and sublime, São Paulo’s Sessa leads his full band through cosmic folk steeped in Afro-Brazilian styles and música popular brasileira. His sonorous crooning glides over lush rhythmic interplay in a surging samba fusion, breathing in everything from soul to psych rock. A masterclass in heat FFO: Elza Soares, Novos Baianos, Lo Borges, Sly & The Family Stone. A rare chance for us to put on some Brazilian music and it happens to be some of the best and most breathtakingly stuff we've heard in a long time, full stop...São Paulo's Sessa embraces many musical references, from rock to jazz to samba and cinematic soul

Sheffield’s knotty computer music maestro Rian Treanor meets the wind instrument minimalism of Japan’s Rai Tateishi, pairing Autechre-esque rhythmic workouts with stark, ancient harmonics. Their bizarro style is prodded further into the vortex by Eye Measure’s corrupted cyber-coding and Luigi Marino's deep explorations in Wuhan cymbals. Plus Luigi Marino. First time collaboration between Rian Treanor [Planet Mu, Nyege Nyege] and Rai Tateishi [Nakid]

Rooted in the myths and memories of the English revival tradition, Betty Blight’s years in Argentinian post-punk and cumbia scenes add a global flavour to her curious, wintry freak-folk ballads. She’s a bona fide original, in masterly company with fellow Bristol folk scene talents Jon Hunt, Dan Weltman and Georgina King. Betty Blight is accompanied by Dan Weltman, Jon Hunt and Georgina King in launching her solo album

A bodily call-to-prayer at the Jam Jar with Birame Seck and the Senegalese soul collective Awale Jant Band. Dancing is not optional in their radiant vortex of jazzy, melodic Afrobeat ouroboros rhythms – these are dubby and dazzling flows, irresistible FFO: Bantu, Songhoy Blues, Groupe RTD, Nation Beat. ‘Senegalese Soul’, Afrobeat, Funk, Latin Jazz, Mbalax & Desert Blues

More Photos of Bristol's World Music Gigs

What our editors say

“Goodall is back with new frequently funky music with a new bunch of virtuoso musicians based in their home city of Birmingham. Having studied and played with musicians such as bluesmen Ian Siegal and afrobeat star Dele Sosimi, these experiences are now more than ever being channeled into Goodall’s own idiosyncratic music and performance style. His shows are involving and high energy. “Beautiful music, I love it”. – Guy Garvey, BBC6 Music, Elbow”
From: Jack Goodall

“Tagna Groove is a dynamic musical ensemble founded and led by Moroccan Maalem (master musician) Mohamed Errebbaa. Based in Bristol, UK, the group is renowned for its innovative fusion of traditional Gnawa music with contemporary genres such as funk, afrobeat, blues, and jazz. This blend results in powerful performances that honor ancient traditions while engaging modern audiences.”
From: MOHAMED ERREBBAA & Tagna Groove

“Fusing DJ sets with live instruments, this event dives into a bold, relatively untapped sound that feels right. Expect genre-blurring performances featuring live guitar, saxophone, and trombone woven seamlessly into DJ sets, all under a vibrant world music theme.”
From: Merchant

“Now after refining our genre-binding high energy folk sound with countless gigs of all sizes for many years, we felt the time was right to record our debut album. We are incredibly pleased with it and it really captures our unique sound with influences rooted in Celtic folk, balkan and klezmer, as well as rock, afrobeat, ska, gypsy jazz and many other styles blended in.”
From: Razzomo 'Journeys' Album Launch + Mike Dennis

“In the early 1980s, Ronald Langestraat was one of the mainstays of the Amsterdam jazz scene; he played in jazz bands like Cascada and Ritmo Natural. At that time, he also started to search for his own sound – a spacy mix of jazz, soul and groovy salsa. Ronald went on a space mission, resulting in a psychedelic, otherworldly, pristine and personal sound. Fast forward to 2022 and Langestraat’s peculiar cosmic pop has never sounded more relevant.”
From: Ronald Langestraat + Martha Rose + Spooky J