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Funk, Soul and Motown in Bristol

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Bristol's Funk And Soul Scene

Funk and soul - the secret undercurrent to Bristol music?
Funk and soul is now synonymous with radio personalities like Craig Charles and long-running nights like Soul Train (in Bristol). While its roots are deep, there was a period in the 90s when soul ran freely through the city via trip-hoppers Massive Attack who combined a soulful edge with current, to the minute electronic production. The more tortured soulful grooves of Tricky were like a bleak West Country version of neo-soul acts like Erykah Badu. While these acts rarely get called soul, their debt to 70s funk and soul legends like Sly and the Family Stone, James Brown and Bootsy Collins is undeniable.

Live Funk in Bristol
Funk isn't huge in Bristol but there are still some good funk bands playing regular gigs, even if the market is slightly smaller than it used to be. Quality hammond led jazz-funk jams can often be found at the Golden Lion on Gloucester road. For faster more sweaty funk gigs, keep and eye on what's on at the Mr Wolfs in Bristol city centre.

Live Soul in Bristol
In the early 2000's there was a much needed soul revival in the UK. At the core of this revival was Brighton and in particular it's Tru-Thoughts record label. Artists like Alice Russell and Belleruche ventured into 'nu-soul', while bands like the Quantic Soul Orchestra revisited raw early funk. While the albums made during this period were nothing hugely special, the performances that came with them were a welcome return of quality and engaging soul music. Being an important city in the UK's live music scene, Bristol and it's venues were (and still are) a key tour-stop for modern soul gigs. Whilst the revival is not as strong as it was, there are still some consistent soul and funk venues in Bristol to check whats on. Trinity Centre is the new home of Tru-thoughts / Stones Throw / Freestyle Recs type tours, with recent (2010) Bristol events including Belleruche, Speedometer and The Bamboos. The 02 Academy, Colston Hall and the Bristol Thekla are Bristol's main venues for bigger name musicians or comeback tours for legendary Motown and soul singers. It's also worth checking the Lost Horizon listings, they seem to have a great ability of booking upcoming talent before it hits the big time. While not strictly soul or funk, the venue has hosted some great cross over artists including Little Dragon and The Apples.

The Park Bar in Clifton with it's Hot Buttered Soul nights is also worth looking into.

If you're looking for disco clubnights in Bristol check the mainstream city centre venues (which we don't list on this website).

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Our recent funk and soul recommendations

Sell out warning! Early bets on the beatdown of the year, 2:1 on Sunami to pummel all contenders with their no-it’s-not-a-joke-anymore bada$$ bully crossover hxc. You’ve seen the news, so expect a bleeding lip or two (and don’t wear that fresh white tee). Fans of Terror, First Blood God’s Hate etc – you know the drill! Sunami at Shredenhams.

Sell out warning! The Brownswood polymath / scene GOAT lends her exuberant electro-jazz sensibilities to the Miles canon in a supreme act of love. Emma pushes the King of Cool's electric era into deeper fusion territory with the 21st century wisdom of broken beat and footwork, cos we all know he was a junglist born too soon. A bonafide life-affirmer for all the Brainfeeders out there... Dear Miles – A Love Letter at Strange Brew.

Sell out warning! Harakiri are the only band you need on your post-black sky chariot riding mix. Triumphant melody barely disguising soul-wrenching trauma, blistering blast-beats; BM purists beware, this is pure catharsis stitched with post-rock, post-hardcore, grunge and skramz DNA. With Denmark's impossibly mournful Sunken opening things up, ethereal awakenings await disciples of: Alcest, Deafheaven, Drudkh, WitTR. Harakiri for the Sky & Sunken at Strange Brew.

Sell out warning! You’ve never heard pipes like this! Queer futurism from visionary bagpiper Malin Lewis, playing self-made instruments and the world’s first wooden Lindsay Chanter. Malin channels their pipes and drones to form a layered, shifting sonic language that lives between binaries. Malin Lewis at The Jam Jar.

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What our editors say

“Fred Wesley and The J.B.'s were one of the most influential funk bands of the 1970s, helping define the revolutionary sound of James Brown and laying the foundations for funk, disco, hip-hop and modern dance music.”
From: Fred Wesley & The New JB’s

“Formed on the streets of Glasgow, the band have built their reputation on sharp songwriting, rich arrangements and a sound that brings classic funk and soul into their own territory. Their music pairs infectious rhythms with soulful stories of love, loss, joy and everything in between.”
From: TOM MCGUIRE & THE BRASSHOLES

“Funke and the Two Tone Baby is a truly unique artiste. Designing music on a machine of his own creation whilst playing a genre and sound that is totally his own. Jammed between off-kilter garage beats with a flash of hip-hop, and high energy alternative blues with a dose of funk, is a whirling blur of glitches, big drops and jump up choruses. It’s Fatboy Slim meets The White Stripes via LCD Soundsystem and a smattering of IDLES to boot. No one is making music in this way or in this style, and those who know, know, and those who don’t are surely missing out.”
From: Funke and The Two Tone Baby

“Accomplished singer-songwriter, Shniece, is no stranger within the world of top reggae artists. Her powerful vocals bring the soul to so many Prince Fatty productions, perfectly encapsulating the sounds of 70s funk with roots music.”
From: Shniece & Run Come Down

“Nick Bodywork from Erratic Batting says: "My love affair with Melbourne music continues with the booking of Karate Boogaloo. We caught these guys up close when they supported Surprise Chef at Bristol Beacon last year. Their music moves fluidly between classic funk, Italian library, jazz, cinematic grooves and hip hop breaks with astounding musicianship."”
From: Karate Boogaloo